American Music Educators is a curated group of professional artists/educators who speak about the craft of writing, recording and performing American music.  Our professionals focus on nurturing American music history, the evolution of music styles, instruments, songwriting, civil rights, theater and state presentations and more through interactive presentations that educate on subject matters and social engagements that surround our American culture.

American Music Educators’ are rich storytellers whom interact in an engaging format and are adept at speaking to all age groups. All have honed the talent of teaching as much as the art of performing.  All are experienced in collegiate education and are experts in the field of American music.

Whether it’s discovering the past, the present or the future, American Music Educators’ are qualified. American Music Educators are here to provide programs that educate whether already written or designed just for you.





PHONE: 336-255-7109 / FAX336-347-3096 / GENERAL


Gaye Adegbalola

Teacher, Storyteller, Activist, American Blues Singer/ Songwriter

Gaye Adegbalola is no stranger to education. She has a Master’s degree in Educational Media, with a concentration in photography, from Virginia State University. In the early ’70’s, Gaye began her teaching career. She was an educator in the Fredericksburg City Public School system for 18 years and was honored as Virginia State Teacher of the Year in 1982. Throughout her teaching career, she directed Harambee 360 Experimental Theater.  She creatively used performance as a tool to assist black youth in gaining confidence as they struggled with identity issues during the spread of “integration.”
During her teaching career, Gaye moonlighted as a musician. By maintaining the blues legacy, she now sees herself as a contemporary griot or storyteller, keeping the history alive, delivering messages of empowerment, ministering to the heartbroken and finding joy in the mundane. She was a founding member of Saffire- the Uppity Blues Women who became an American musical treasure with a very big fan base. They remained together and continuously toured over 25 years.
Gaye has toured internationally extensively including “edutainment” tours for the State Department in Africa, Eastern Europe and the Caribbean. She is a Blues Music Award winner.  She is the recipient of the Parents’ Choice Gold Award for Music for her children’s CD, “Blues in All Flavors.”
A dynamic speaker and a natural teacher, Gaye Adegbalola can engage, provoke, and inspire just about any audience.

Guy Davis

An Ambassador of The Blues

Guy Davis once said, “I like antiques and old things, old places, that still have the dust of those who’ve gone before us lying upon them.” Blowing that dust off just enough to see its beauty is something Guy has excelled at for over thirty years of songwriting and performing. It’s no wonder his reverence for the music of the Blues Masters who’ve gone before him has been evident in every album he’s ever recorded or concert he’s given.
Guy has had his musical storytelling influenced by artists like Blind Willie McTell and Big Bill Broonzy, and his musicality from artists as diverse as Lightnin’ Hopkins and Babatunde Olatunji. Guy Davis has spent his musical life carrying his message of the blues around the world, from the Equator to the Arctic Circle, earning him the title “An Ambassador of the Blues”. Continuing his mission to spread the blues around the world, Guy has lately been doing more teaching. “I’ve had beginning and intermediate students, and I try to give them enough of the basics that they can go into a jam session, and create more licks out of the ones they know. And I try to give them a bit of my philosophy. To my mind you can treat these songs as recombinant DNA, you can own it and you can create something new with it. And I didn’t sign any papers, but I can claim an ownership to the blues.”
Guy was awarded the Robert H Chambers Award for Excellence in the Traditional Arts for 2017.

Phil Wiggins

America’s foremost blues harmonica virtuoso

While rooted in the melodic Piedmont or “Tidewater” blues of the Chesapeake region, his mastery of the instrument now transcends stylistic boundaries.  Born in Washington D.C. in 1954, Phil Wiggins achieved worldwide acclaim over three decades as one half of the premier Piedmont blues duo of Cephas & Wiggins. Since the death of guitarist and singer John Cephas in 2009, Phil brought his harmonica wizardry to bear in a variety of musical collaborations.”  Phil’s teaching experience is broad and includes organizations such as
National Council for the Traditional Arts, Everyday Theatre, Art and Drama Therapy Institute, Augusta Heritage Workshop, Blues Week, Centrum Blues Week, and Lorton Youth Center.

Corey Harris

Corey Harris has earned substantial critical acclaim as one of the few contemporary bluesmen able to channel the raw, direct emotion of acoustic Delta blues without coming off as an authenticity-obsessed historian. Along with Keb’ Mo’ and Alvin “Youngblood” Hart, he raised the flag of acoustic guitar blues in the mid-1990s.Although well versed in the early history of blues guitar, he’s no well-mannered preservationist, mixing a considerable variety of influences – from New Orleans to the Caribbean to Africa – into his richly expressive music. Through Bates College in Maine (where he majored in anthropology), Harris traveled to Cameroon to study African linguistics; during his time there, he soaked up as much African music as possible, becoming entranced by its complex polyrhythms. After returning to the U.S., Harris taught English and French in Napoleonville, Louisiana. In 2007, he was awarded a MacArthur Fellowship – commonly referred to as a “genius award” – from the John D. and Catherine T. MacArthur Foundation. The annual grant, which recognizes individuals from a wide range of disciplines who show creativity, originality and commitment to continued innovative work, described Harris as an artist who “forges an adventurous path marked by deliberate eclecticism.” That same year, he was also awarded an honorary Doctor of Music degree from Bates College, in Lewiston, Maine.

Bob Margolin

Bob Margolin is already known as one of the most visible musicians, both on today’s Blues scene and historically as Muddy Waters’ guitarist from 1973-’80. On his own he has won two Blues Music Awards for Guitar as well as the 2017 Best Male Traditional Artist Award. Touring worldwide, he also has been writing columns for Blues magazines for more than 20 years, winning a 2013 Keeping the Blues Alive for Journalism and leading workshops and “Evening With Bob” events for Educational Institutions and organizations worldwide. Drawing on an ability to entertain while educating and flexibly interacting with his audiences, Bob has been successful at Blues guitar and general instructional events. Often the workshops are linked to his shows.

  • Many years of Raw Chicago Blues guitar instructions at Jorma Kaukonen’s Fur Peace Ranch.
  • For the Pinetop Perkins Foundation Masterclass Workshops Bob, also on the Board of Directors, conceived and taught the guitar workshops for many years, the Recording Workshop Program for two years, and continues as the Musical Director for the workshops.
  • In 2017, Bob participated in the workshops and concerts at Guitar Town Copper Mountain in Colorado, with accomplished guitar players from a wide variety of genres. Bob represented the Blues.
  • In 2007, 2008, and 2010 Bob presented workshops with Howlin’ Wolf’s legendary guitarist, Hubert Sumlin for National Guitar Workshops.
  • Bob has co-authored with educational guitar writer Dave Rubin Instructional Book/DVDs for the Hal Leonard Corporation:
    1998 “Muddy Waters’ Guitar Style
    2015 “Chicago Blues Rhythm Guitar
    2018 “Chicago Blues Slide Guitar” will be published by Hal Leonard Corp.

Bob Margolin loves to jam at his shows and reveal how guitars can interact together and with other instruments in performance. He entertains and uplifts the chops and musical approach of his workshoppers.

Rory Block

Rory Block is a performer, a published author [“When A Woman Gets The Blues’], and a master educator. She can speak about her career, her book or perform master slide workshops. As a master of the Piedmont style fingerpicking her slide workshop offers an in-depth examination of techniques, tones, and styles possible with slide playing.

Her workshops analyze and implement methods to obtain the cleanest sound, the best vibrato, individual notes, dampening and shimmer, she teaches how to navigate the neck both up and down, plus numerous options and ideas for creating solos and backup riffs. She discusses the choice of slides- metal, glass, ceramic, etc, and discuss which finger to use- pinky thru first, full finger or short slide, customized for each student.

All levels are welcomed, as she covers the territory from A to Z. Personal attention always offered to anyone with questions as the goal is to provide useful information for everyone. Rory seeks to open new doors and help players of every level make significant progress.