Altered Five Blues Band

Website: www.alteredfive.com

Altered Five Blues Band makes music with a swaggering stomp of bruising, barrelhouse grit. According to Downbeat Magazine, frontman Jeff Taylor “sings powerfully” and “Jeff Schroedl’s live-wire guitar reaches the high bar of mixed invention and fluidity” . Blues Bytes Magazine declares the group features “the funkiest rhythm section outside of Memphis”.

A 2018 Blues Music Award nominee, the Milwaukee-based quintet will release its new album, Ten Thousand Watts, August 16 on Blind Pig Records. Recorded over four days in Nashville, TN and produced by three-time Grammy winner Tom Hambridge, the 12 tracks stir up a thunderstorm of original, roots-rockin’ music. The set kicks off with the burning boogie of “Right On, Right On” and is followed by “Too Mad to Make Up,” a roadhouse rocker about a relationship in peril. The title track then finds Taylor strutting his stuff, testifying his powerful passion. The audacious theme continues with “Mischief Man,” before the band cuts loose on “Great Minds Drink Alike,” a sure-fire hit with the bar crowd. “Don’t Rock My Blues” eases the tempo and captures a traditional vibe. The collection of succinct, tight-but-loose songs reflect the continuing evolution of the band’s deft songwriting, blended with the intuitive musical interplay of the longtime bandmates.

The new album arrives on the heels of back-to-back award-winning records. Cryin’ Mercy won “Best Self-Released Album” at the International Blues Challenge in 2015, and “Charmed & Dangerous” scored Song of the Year at both the Independent Music Awards and Wisconsin Music Awards in 2018. Both albums reached the Top 5 in the iTunes blues store and hit #1 on the Roots Music Report Blues Album Chart. Guitar World magazine called the song “Charmed & Dangerous” a “menacing, swampy blues,” and the track has been in regular rotation on SiriusXM’s Bluesville along with many other programs and playlists. The album’s third track, “Three Forks,” was inspired by legendary Delta bluesman Robert Johnson and features music, adapted with permission, from the seminal classic “Crossroads”.

Altered Five Blues Band now have five studio albums to their name, including Gotta Earn It (2012) and Bluesified (2008), both on Cold Wind Records. The group has performed at many renowned festivals and venues such as: Grolsch Blues Fest (Germany), W.C. Handy Blues Fest (Kentucky), Ann Arbor Blues Fest, King Biscuit Blues Fest, Baltic Blues Fest (Germany), Milwaukee Summerfest, Magic City Blues Fest (Montana), Fargo Blues Fest, B.B. King’s Blues Club (Memphis), Buddy Guy’s Legends (Chicago), and several appearances on local television. They will also return to Europe in the Fall of 2019 for shows in Switzerland.

Bassist Mark Solveson anchors the rock-solid rhythm section with drummer Alan Arber, who joined the band in 2017, and Raymond Tevich melds his crafty keyboard work to top off the group’s signature sound. It’s been said that “the blues is a feeling,” so when the Minneapolis Star Tribune states that the band is a “righteous blast,” you know they play it right.

Doug Deming & The Jewel Tones

Website: www.dougdeming.com

“MOST PEOPLE, UPON HEARING MUSIC BY DOUG DEMING AND THE JEWEL TONES,

RECOGNIZE THEM AS A BAND THAT RETURNS TO THE ROOTS OF BLUES AS OPPOSED

TO A CONTINUATION OF MODERN ADAPTATIONS OF THE STYLE…

COMPLETELY RESTORED MY FAITH IN THE GENRE” -Muzik Reviews

“DOUG IS A FEROCIOUS GUITARIST, FIERY BUT CLEAN, WITH A CRISP, CLEAR TONE

REMINISCENT OF CHARLIE CHRISTIAN’S STYLE.”– Grant Britt, Blues Music Magazine

Eastside Detroit native Doug Deming, now hailing from Florida’s Gulf Coast, has garnered widespread attention for his deft guitar work and memorable songwriting. With a nod to the likes of T-Bone Walker and Charlie Christian, as well as Luther Tucker and Robert Jr. Lockwood, Doug leaves his own mark whether swingin’ on the big jazz box, or playing straight up blues on the solid body Fender guitar. Since playing the local Detroit scene beginning in the early 90’s, Doug has spent much of the following years touring and recording with top blues artists, including Fabulous Thunderbirds frontman Kim Wilson, legendary Louisiana swamp bluesman Lazy Lester, Texas’ Gary Primich, Chicago greats Johnny “Yard Dog” Jones and A.C. Reed, as well as Detroit’s own Queen of the Blues, Alberta Adams. Leading his band The Jewel Tones, Doug continues to bring noteworthy traditional and original roots music to his audiences.

Doug’s third recording, What’s it Gonna Take, exhibits the outstanding guitar work and remarkable singing and songwriting that have become Doug’s calling card. This critically acclaimed Vizztone debut spent several months on the Living Blues Charts Top Ten, and earned Doug the 2013 Blues Blast Music Awards Sean Costello Rising Star Award.

COMPLICATED MESS, the latest recording from Doug Deming & The Jewel Tones, is their most courageous effort to date, combining traditional blues, jazz, swing, soul and R&B, delivered in 10 original Deming tunes along with three re-tooled covers. Captured at Bigtone Records in Hayward, CA, this analog recording achieves the tone and warm, authentic atmosphere ideal for Deming’s style. The critics took notice, and COMPLICATED MESS showed up on several ‘best of’ 2018 lists, as well as a nomination for the 2019 Blues Blast Music Awards ‘Blues Band of the Year’.

MEET THE JEWEL TONES:

ANDREW GOHMAN (bass)  Born in Ohio and raised in Florida, Andrew Gohman started playing traditional blues guitar at the age of 15 and picked up the bass much later at age 25. Andrew played the Tampa/St. Pete blues scene regularly with his group the Bottom Feeders until joining the Jewel Tones full time in 2011. A bona fide audiophile, with interests ranging from traditional blues to jump to jazz, Andrew credits many influences, including Ransom Knowling, Ernest “Big” Crawford, Keith Ferguson, Jack Myers and Bill Willis, to name just a few. Andrew brings the grease to every performance, whether laying down the groove on his Fender, or pullin’ and slappin’ on his ’42 Kay upright.

ZACK POMERLEAU (drums)  Born and raised in Auburn, Maine, Zack had an early start at music receiving first drumset by the age of five. By the age of twelve he began performing locally in clubs as a solo act and by fourteen fronted his own group as a harmonica player, eventually representing the state in the International Blues Competition in 2010. As a drummer Zack has performed with prominent Maine local acts including DW Gill and the Blues Prophets, Tommy O’Connell and his Juke Joint Devils, Jimmy Junkinks (of the Soul Cats), among others. He has also had the opportunity to perform alongside nationwide harmonica player Jason Ricci and legendary Howlin’ Wolf/Paul Butterfield Blues Band drummer Sam Lay. His shuffles have been well regarded by his peers, with DW Gill dubbing him “Little Below” and Jimmy Junkins proclaiming he has the sound of a “big fat Cadillac.

DAVID COTTON (saxophone)  Raised in Macon and Memphis, David Cotton developed an interest in jazz and blues at an early age, and grew up playing as a teenager at his local Baptist church. As a young man, he toured internationally with Alligator Recording artist Tinsley Ellis, as well as Nappy Brown. David’s resume also includes stints with Randall Bramlett, Greg “Fingers” Taylor and Clarence Carter. Now residing in St. Petersburg, FL, David is a welcome addition to the Jewel Tones with his exceptional and traditional sound.

Eden Brent

Official Website: edenbrent.com

Nicknamed “Little Boogaloo” by her Mississippi mentor Boogaloo Ames, Eden Brent is much more than her signature boogie-woogie piano and juke-joint blues holler. She is a celebrated songwriter and dynamic performer, with numerous nominations and awards including eleven Blues Music Award nominations since 2009 and three BMA trophies. Her most recent Yellow Dog Records album, Jigsaw Heart was nominated for BMA Acoustic Album of the Year, continuing a streak of nominations for her last three albums.

Born in the heart of the Mississippi Delta in Greenville, to a family of riverboat captains and guitar pickers, Eden’s story could’ve been written by Tennessee Williams or any number of Mississippi’s colorful authors. The Greenville bridge is named for her grandfather Jesse, the Waterways Journal “Riverman of the Century”. Her father, Captain Howard, famous for his Hank Williams renditions and grand story-telling, is a bona-fide living “River Legend”, and her mother Carole was born a sharecropper but became a big band singer and fashion model, working at Chicago’s Chez Paris in the 1950’s.

A life-long piano enthusiast, Eden was surrounded by music and learned her first notes at age three. “Grandma could read and play beautifully,” Eden explains, “She taught me Middle C and my first simple tunes. I had an ear for music and was pecking out my brother’s recital piece before I was old enough to go to school.” Piano lessons were part of her education from primary school through graduation from the University of North Texas and beyond. “I always loved to play, but I hated to read and I really hated practice until I started hanging around Boogaloo. He put the music right in my hands.” She continues, “Daddy jokes he could’ve saved a lot of money on my college tuition had he introduced me to Boogaloo a few years earlier.”  The duo traveled and worked together for 16 years until Boogaloo’s death in 2002.

Eden is featured in three documentary films: Boogaloo & Eden: Sustaining the Sound; Forty Days in the Delta; 180 Degrees: Changing Lives in the Mississippi Delta, has appeared in print publications like USA Today and Garden & Gun, has been highlighted on national radio broadcasts including NPR Weekend Edition, House of Blues Radio Hour, and American Routes, and her music continues to delight both critics and live audiences alike.

Since launching her career, Eden travels the United States and abroad performing in festivals like Notodden, the Chicago Blues Festival, Cognac’s Blues Passions, and the New Orleans Jazz & Heritage Festival. She’s a frequent piano bar host aboard the Legendary Rhythm & Blues Cruise and  has been a special guest aboard the American Queen Steamboat, a performance that celebrated her Mississippi River heritage.

She has released four solo albums: Something Cool 2003; Mississippi Number One 2008; Ain’t Got No Troubles 2010; and Jigsaw Heart 2014, and is currently on the Yellow Dog Records label. In addition to her four solo albums, Eden recorded The Brent Sisters Party Dress with sisters Jessica and Bronwynne, also songwriters. Released in 2012, the album is a collection of songs written by their late mother, Carole Brent.

Eden lives in her hometown with her husband Bob Dowell, a musician and arranger from the U.K., and their three very naughty dogs.

Emanuel Casablanca

“One gets the sense Casablanca has all the gifts that lead to stardom, this release indicates he’s well on his way.” – All About Jazz

“Emanuel Casablanca, the bad boy of blues, is a guitarist and songwriter who stands out from the crowd; In a world of followers he takes his own path, guided by his specific passion and unfettered by cultural definition. As a young man he witnessed the old Brooklyn, when venues where all around and you earned your chops in a Williamsburg venue. He grew up listening to Biggie, Lil Kim, and The Lost Boys at a time and place where you could see them hanging out in the neighborhood. His mother was a music teacher and she kept him playing and on a classical and gospel path. He left the music path for the basketball court, but returned to music during college and picked up the forbidden instruments (drums and guitar) and began his personal music journey. He credits Angus Young as his motivation to pick up the guitar, and titans Albert King, Rory Gallagher, Buddy Guy, and Freddie King as important influences that led him to his sound, which he identifies as Brooklyn Blues.

Casablanca writes SONGS; he aspires to write and record songs as they were made in the classic times in history, yet keep them relevant to today. His new record, It’s Getting Strange, is a tight collection that hearkens back to a time when artists sought to directly convey their feelings in an effort to connect with the listener. The themes are therefore familiar; love and loss, peace and hope. The style can be described best as old school rhythm and blues, with a heavy emphasis on blues. His voice is transcendent, and his guitar licks are deliberate and never overwrought. The record is a refreshing change of pace from the frantic sounds of today.”

CONTACT:

RECORD LABEL/PRESS: Ropedope Records, Fabian Brown: 865-577-7907 / fabian@ropeadope.com

Gumbo, Grits & Gravy

Gumbo, Grits & Gravy
Guy Davis, Anne Harris, and Marcella Simien

GUMBO, GRITS & GRAVY is a ‘gathering’, featuring three brilliant musicians with culturally and musically diverse backgrounds. As the name implies, Gumbo, Grits & Gravy is grounded in the roots of a hearty, home-cooked meal, the foundation of family and tradition, which is more often guided by maternal inspirations. Through this understanding, it is a celebration of a musical and cultural diversity that this trio hopes to document and spread to the world in 2019 and beyond.

The genesis of this project comes from a tour under the same banner headline that briefly toured many years ago. It featured Guy Davis, Laurie Lewis, and Christina Balfa, assembled by former agent/manager Cash Edwards. The inspiration for it today comes from ensemble groups like the Carolina Chocolate Drops, only with a little more contemporary flair. So fill your soul with flavors of this musical stew!

ARTIST BIOS:
Guy Davis: The Routes of Americana
Guy Davis has spent his musical life carrying his message and music around the world, from the Equator to the Arctic Circle, from the Plains of Kansas to the tundra of Siberia. His work as a singer, musician, actor, writer, and music teacher have earmarked him as a renaissance man of the Arts.

What music and acting have in common, he explains, “is that I don’t like people to see the hard work and the sweat that goes into what I do. I want them to hear me and be uplifted.”

Davis’ much-praised 1995 debut, Stomp Down the Rider, on the legendary singer-songwriter label, Red House Records, marked the arrival of a major talent, earning acclaim for his deft acoustic playing, his well-traveled voice and his literate yet highly accessible songwriting. He’s barely rested since then, taking his music to television (The Conan O’Brien and David Letterman shows) and radio (Mountain Stage, World Cafe, E-Town, Woodsongs), as well as performing at theaters and festivals around the globe. He played the Ukraine in summer of 2014, just a week or so before the statues of Lenin were torn down. He even played for the visiting Queen of Denmark when he performed at a children’s home in Greenland. “I feel like I’ve only hit three corners of the world, with a lot more to go,” Davis says.

Truth be told, there just aren’t many who can deliver Americana in as interesting and entertaining a manner – or give acoustic traditional blues such a contemporary sound – as Davis, and it sure is a lot of fun hearing him explore the different sides of the genre. ~ The Blues PowR Blog

Davis somehow makes the term multi-talented seem woefully inadequate. ~ Jim Musser He has got a voice like Howlin’ Wolf dipped in honey. He is also an enchanting storyteller, able to deliver a shaggy-dog story while barking and simultaneously making train noises on a harmonica – a reminder of a time when the phrase “novelty song” didn’t necessarily have music-lovers running for the exits. He utilised ye olde food/sex metaphor in “Home Cooked Meal” and made it sound dirtier than you would have thought possible. He is fabulous. ~ The Scotsman

Anne Harris: Musical Diamond
Roots Music is an expressive art form, and nowhere can you find a more expressive musician than the mystic violinist Anne Harris. Rolling, blending and folding in a variety of musical influences from Celtic to Americana to Funk, she embodies a musical genre-morphing sound that is all her own. Anne is an internationally recognized instrumental talent that has captivated audiences around the globe. Her command of the stage is punctuated with a free reeling and coiling whirlwind of sound and visual excitement. Her gypsy-like stage presence is truly unforgettable and revolutionary in the ever expanding musical world that surrounds her.

The beauty of Anne’s ability to play the violin while dancing as gracefully as a swan and as powerfully as a shaman, moved me to joyful tears. Bearing witness to her performance left me completely awestruck and mesmerized. At times, she moves with a gentle ease, and then with sudden and wild abandon. Surely, it follows suit that she has had extensive training, but it appears to just spring naturally from her solar plexus. To watch her perform is hypnotizing. It was pretty much all I could talk about for several days. ~ By Julie Jenkins

Anne Harris plays violin like Buddy Guy wields his guitar. ~ By Robert Kinsler

Marcella René Simien: Swamp Soul Songstress
Wielding the torch of a veritable Creole dynasty, being born into one of the first Creole families to settle in St. Landry Parish, Marcella has now planted the seeds of her South Louisiana heritage deep into the bluffs of Memphis, TN — no small victory for a young woman just now rounding out her mid-20s.

Simien is a natural in the truest sense. Daughter of two-time GRAMMY award winning Zydeco luminary Terrance Simien, she was practically born onstage, and grew up thoroughly immersed in sound and performance. Yet, despite her almost fairytale-like upbringing, Marcella makes it her mission to forge her own pathways in the music business. A graduate of the prestigious Memphis College of Art, Simien boldly follows her heart. Her music is a dueling hybrid of classic Memphis soul and the freewheeling swagger of New Orleans funk, woven together with the sighing laughter of her ancestors: that Creole accordion. As outspoken and courageous as she is sensual and feminine, Simien holds a wisdom far beyond her years. With each honeyed undertone, every saintly holler, with each tinkle of the keys, and every pump of the squeezebox, she reinvents the mold and soldiers against boundaries, yet she never fairs to respect tradition.

Simien is one of the most soulful artists I’ve heard since the ‘glory days’ of Memphis soul music. Her sound and stage presence are constant reminders that soul music is still alive and well. ~ Lawrence “Boo” Mitchell

Marcella Simien heard it all as a youngster, no doubt, and once she doubled-down with the Memphis sound, she found a totally striking new attack on Southern Soul. ~ Bill Bentley

Guy King

Official Website: guyking.net

2017 Blues Music Award Nominee Guy King’s music is fresh and unique while maintaining a strong link to the musical masters that came before him. His natural musical abilities and his one of a kind blend of Blues, Jazz, Soul, and R&B, are some of what makes Guy King so special in the music world.

Born and raised in a small rural town in Israel, Guy first arrived in the US, on tour at the age of 16. Five years after he returned to the United States. After a short stay in Memphis and a stint in New Orleans, Guy headed north to Chicago in pursuit of greater things and a musical career.

In Chicago, Guy quickly gained recognition, and joined Willie Kent’s band, serving as his lead guitarist and band leader for a period of six years, until Kent’s passing in 2006, when Guy started his solo career, performing at the city’s top venues, such as Buddy Guy’s Legends, Andy’s Jazz Club, House of Blues, The Green Mill, S.P.A.C.E., B.L.U.E.S., Rosa’s Lounge and others.

Playing at a pace of 250-300 shows a year; Guy had the pleasure and honor of opening the shows of B.B. King, Buddy Guy, and touring the world; performing in Japan, France, Belgium, Switzerland, England, Italy, Mexico, Argentina, Chile, and Brazil.

In 2009, Guy released his first solo album Livin’ It which was very well received by the public and media alike, and that has opened the doors for two more albums since; I Am Who I Am and It Is What It Is and By Myself.

In 2015 Guy was signed by Chicago’s Delmark Records to record TRUTH, which was released in February 2016. TRUTH reached #1 at the Roots music report Contemporary Blues Chart, #5 at the Living Blues Chart and have been receiving rave reviews worldwide.

Some of his appearances include the Montreal Jazz Festival, Chicago Blues Festival, King Biscuit Festival (Helena, Arkansas), Blues on the Fox, The Paramount Theatre, Polanco Blues Festival (Mexico City, Mexico), Mississippi Delta Festival (Caxias Do Sul, Brazil), Basel Blues Festival (Switzerland) and many more.

Named as Chicago’s Latest Royalty by Vintage Guitar Magazine, he continues to perform, write and record new material with an ear sensibly tilted toward producing great music: taking the varied music he loves and recasting it in new directions.

Guy King was nominated for a 2017 Blues Music Award in the “Best Emerging Artist Album” category.

James “Blood” Ulmer

Website

TOUR DATES

James Blood Ulmer is among the most distinctive and influential electric guitarists to emerge in the past four decades. Over time, Blood’s reputation has morphed from that of an avant–garde jazz visionary out of the Ornette Coleman school to elder statesman of the African–American musical vernacular encom – passing jazz, blues, funk, and whatever lies beyond.

Forging an unyielding synthesis of musical styles, vision and virtuosity, Ulmer has left an indelible mark on those keen ears who’ve dared to follow him to that intangible place where the fiercest, most holy music occurs.

Whether it’s art imitating life or life imitating art, the trials of James Blood Ulmer’s career have only made his art that much more potent. It appears he’s capable of channeling life’s experiences through his soul in order to lay it bare in the music. If he were never to record again, his reputation as an American music pioneer is already cemented in stone. One would think, however, that there’s a great deal more to come, because Blood lives the music, is the music and he’ll grow old bringing the music. And as always, that devout audience with big ears and keen instincts will be taking it all in.

Jason Ricci

Official Website: mooncat.org

TOUR DATES

Jason Ricci is one of the most popular harmonica players on the planet today.  His music is listed in almost every top ten play-lists on college, blues and Internet radio. Jason is a ‘players player.’  His biggest fans are other musicians, from all genres. Jason Ricci is the spot light and on the lips of critics, artists and fans everywhere.  Through two plus decades of endless touring, TV appearances, recording and social media, Jason’s style of playing is so revolutionary and influential that there exists an entire new generation of players imitating his music, clothes, gear and even stage presence.  Jason has been an almost constant force for decades in the studio, festivals, club dates and press.  Through performing, song writing, teaching, harmonica prowess and activist in the fields of mental health and addiction, it is not an overstatement that this young man is currently changing the world his music and education.  His over blowing harmonica technics are second to none and his song writing, while based in deep blues, is contemporary, relevant and boundless.
With his personal demons well in check and a killer new band, The Bad Kind, Jason is back with a vengeance and taking no prisoners, from low down in the alley to out of this world!  The new recording, well that’s Jason, the moon cat.
RECENT ACCOMPLISHMENTS:
*Featured TV performer at the Rock & Roll Hall of Fame for the Paul Butterfield Blues Band induction in 2015
*Featured performer on Johnny Winter’s Grammy winning Cd ‘Step Back’ (2014)
*Multiple Blues Music Award Nominations: 2009-2017.
*Blues Blast Award Winner, 2010.
ARTIST COLLABORATIONS:
Jason has worked and/or recorded with Little Charlie Baty, Anson Funderburgh, Junior KimbroghRL Burnside, Nick Curran, Walter Trout, Ana Popovic, Cedric Burnside, Joe Louis Walker, Sue Foley and many others.

 

Joe Krown

OFFICIAL WEBSITE: joekrown.com

Joe Krown is a resident and is based out of the city of New Orleans. He is a New Orleans styled piano and Hammond B-3 player. He has been nominated twice and won a New Orleans Big Easy Award in the Blues category in April 2001. His blues trio, Sansone, Krown & Fohl won a 2004 Big Easy Award. Joe’s third compact disc, Buckle Up, was picked #4 CD, “Best of 2000CDs” in the Times Picayune, and “Best CDs of 2000” in OffBeat magazine. Joe was also selected “Best Keyboardist, Editor’s Choice” at CitySearch.com for New Orleans. Joe’s fourth CD, Funkyard was picked #4 CD in Gambit Magazine and #15 in the Times Picayune “Best CD’s of 2002” and “Critic’s Choice Best of 2002” in Offbeat Magazine. Joe’s CD, Livin’ Large (2005) clocked in at #11 in overall sales for the New Orleans Jazz and Heritage Festival 2005. His trio with Walter Wolfman Washington & Russell Batiste Jr. won a 2009 Offbeat Award for “Best R&B/Funk CD” (Live at the Maple Leaf) and a 2009 Big Easy Award in the “Best Rhythm & Blues Band” category.

He is currently touring all over the U.S. and the world as the organ/piano player for the award winning Kenny Wayne Shepherd Band.

Available for limited dates only.

Lurrie Bell

Website: www.lurrie.com

“An incendiary fusion of Chicago Blues boilerplate and his own mercurial imagination, hyperkinetic energy, and dazzling technical dexterity.” David Whiteis – Chicago Reader

“If there is a Chicago blues child who perhaps epitomizes the blues life, it’s Lurrie Bell…the premier guitarist in the Windy City.” Boston Blues News

Born in 1958, the son of famed blues harmonica player Carey Bell, Lurrie Bell picked up his father’s guitar at age of five and taught himself to play. He was clearly gifted. In addition, he grew up with many of the Chicago blues legends around him. Eddie Taylor, Big Walter Horton, Eddie C. Campbell, Eddie Clearwater, Lovie Lee, Sunnyland Slim, Jimmy Dawkins and many more were frequent visitors to his house. They all helped to shape and school him in the blues, but none as much as his father’s long-time employer Muddy Waters.


At seven years old, Bell left Chicago to live in Mississippi and Alabama with his grandparents. During this time he played mostly in the church, immersing himself in the passionate expressiveness of the gospel tradition. At fourteen he moved back to Chicago and continued to play in church as well as forming his first blues band while attending high school.


By seventeen Lurrie Bell was playing on stage with Willie Dixon. In 1977 he was a founding member of The Sons of Blues with Freddie Dixon (son of Willie) and Billy Branch. The band recorded three standout tracks for Alligator Records’ Grammy nominated Living Chicago Blues series. In 1978 Bell joined Koko Taylor’s band and stayed for several years, honing his chops and learning the ropes of being a traveling musician. He continued to work with his dad as well, recording the 1984 Rooster Blues album Son Of a Gun and several other titles for UK’s JSP Records. Not only was Bell recognized as an exceptionally talented guitarist and musician, his knowledge of different blues styles, his soulfulness and his musical maturity delivered write-ups in publications such as Rolling Stone and The New York Times.


Battling and defeating a series of personal demons kept him out of the studio and off the road for a long spell in the late 1980’s, but Bell persevered and re-surfaced in the mid-1990’s with a succession of four highly acclaimed records for Chicago’s Delmark label.


Since the onset of the new millennium, Bell’s profile has been steadily rising. 2002 saw the release of the CD Cutting Heads and in 2004 Alligator Records released Second Nature an acoustic duet record with his father Carey Bell that was nominated for a WC Handy Award Acoustic Record of the Year by the Blues Foundation in Memphis.


In 2007 Bell started his own label Aria B.G. Records and released Let’s Talk About Love, which has been called his most accomplished, deeply heartfelt album yet. On the strength of this record, he was voted Most Outstanding Guitar Player in the 2007 Living Blues Magazine’s Critic’s Poll, and in 2008 and 2012 he was named the magazine’s Male Blues Artist of the Year. Since 2007 he has received multiple Blues Music Award nominations as Best Guitarist and Best Traditional Male Blues Artist by the Blues Foundation.


2009 found him pairing up with Billy Boy Arnold, John Primer, Billy Branch on the recording Chicago Blues: A Living History which garnered him his first official Grammy nomination for Best Traditional Blues Recording. In 2011 a follow-up was released; Chicago Blues: A Living History (The Revolution Continues) featuring Buddy Guy, Magic Slim, and Ronnie Baker Brooks.


In 2012 came the arrival of his second CD on Aria BG Records “The Devil Ain’t Got No Music,” a collection of acoustic blues and gospel songs that recollect the music he often played with his dad and at church in Mississippi and Alabama as a child. In January 2013 The Devil Ain’t Got No Music was honored with the Prix du Blues award from the prestigious French L’Academie du Jazz for the Best Blues Recording of 2012 and the title song (written by producer Matthew Skoller) received a nomination from the Blues Foundation for song of the year.


In 2013, Bell wanted to get back to the solid foundation of Chicago-styled traditional guitar blues for which he then recorded Blues in my Soul which features three new Lurrie Bell originals plus songs by Little Walter, T-Bone Walker, Jimmy Rogers, and Big Bill Broonzy and others. In 2016, and staying within that, Bell returned to the studio to record “Can’t Shake This Feeling”.


At last count Lurrie Bell has now appeared on over 50+ recordings either as leader or featured sideman. Lurrie Bell’s elegant and intense guitar playing and passionate vocals have made him a favorite at clubs and festivals around the world and have earned him a reputation as one of the “leading lights” in the future of the blues.