Official Website: www.zacharmon.com

tour dates

Zac Harmon is an award-winning guitarist, organist, singer, and songwriter whose distinctive style combines the best of old-school soul-blues artist with modern lyrics and themes that bring the blues into a new century. Right Man, Right Now is contemporary music that proves just how alive and relevant the blues is today.

Harmon is one of the blues’ strongest live performers, thrilling fans everywhere from Memphis to Mumbai. With Right Man, Right Now he finally brings that excitement to a brand new CD, his bluesiest ever.

His next door neighbor was a music instructor who would host friends such as Cab Calloway, Duke Ellington, and Harry Belafonte in her home.  Another neighbor, Bill Farris, a blues scholar who worked with noted folklorist Alan Lomax and founded the Center for the Study of Southern Culture at the University of Mississippi, recorded a number of Delta blues artists in his home, including Skip James.

Zac started his professional career at age sixteen, playing guitar with Sam Myers, a friend of his father’s.  Two years later he was playing with Dorothy Moore, Z.Z. Hill and other well-known blues artists who were passing through on regional tours.

In the early eighties, at age 21, he moved to Los Angeles to take a real shot at the music business.   He worked as a studio musician at first and eventually established a very successful career as a songwriter and producer.   He worked on major films, television shows, and well-known national commercials, even being hired at one point by Michael Jackson as a staff writer for his publishing company.  Harmon wrote songs for the likes of Evelyn “Champagne” King, Freddie Jackson, the Whispers, K-Ci  & Jo Jo, and the O’Jays.   He also produced songs for reggae band Black Uhuru‘s Mystical Truth album, which received a Grammy nomination in 1994.

After composing and performing some blues songs for a movie score, Harmon felt compelled to pursue his longtime dream of returning to his roots and recording his first blues project.  The result was 2003’s Live at Babe & Ricky’s Inn, an electrifying testimony to Mississippi blues, which showcased the sound at its best and introduced Harmon as a true torchbearer for the “next generation of the Blues.”  In 2004, Harmon and his band, the Mid South Blues Revue, sponsored by the Southern California Blues Society, traveled to Memphis and won the Blues Foundation’s prestigious International Blues Challenge title of “Best Unsigned Band.”

His next release, in 2005, was The Blues According To Zacariah, which garnered major national airplay, including XM, Sirius and the American Blues Network.  XM listeners voted Harmon “Best New Blues Artist” in the inaugural XM Nation Awards in 2005.  In 2006, Harmon won the coveted Blues Music Award for “Best New Artist Debut” for The Blues According to Zacariah.  Later that year, he was featured in Blues Revue magazine as one of the 10 artists that “represent the future of the blues,” calling him a “latter-day Eric Clapton or Robert Cray with shades of Luther Allison and BB King.”

Addressing issues straight from today’s headlines, Zac presents them in a fresh original style built on the best blues tradition. And he has some incredibly talented musicians helping him – guests include Bobby Rush, Lucky Peterson, Anson Funderburgh and Mike Finnegan.

The Album provides definitive proof that Zac Harmon is indeed the right man to firmly establish all that blues can and should be right now in the second decade of the new millennium.

Sisters Of Slide
Rory Block & Cindy Cashdollar

 

 

Rory Block

Official Website: roryblock.com

Internationally acclaimed blues artist Rory Block has committed her life and her career to preserving the Delta blues tradition and bringing it to life for 21st century audiences around the world. A traditionalist and an innovator at the same time, she wields a fiery and haunting guitar and vocal style that redefines the boundaries of acoustic blues and folk. She has won 5 Blues Music Awards, been heralded as “a living landmark” by the Berkeley Express, “a national treasure” by Guitar Extra, and “one of the greatest living acoustic blues artists” by Blues Revue. The New York Times declared: “Her playing is perfect, her singing otherworldly as she wrestles with ghosts, shadows and legends” and the Blues Foundation stated: “Today she is widely regarded as the top female interpreter and authority on traditional country blues worldwide.”

Cindy Cashdollar

Official Website: cindycashdollar.com

Dobro, steel guitar and lap steel player Cindy Cashdollar’s career has taken some surprising twists and turns that have led her to work with many leading artists in various genres; including Ryan Adams, Bob Dylan, Van Morrison, Dave Alvin, Rod Stewart, Albert Lee, Asleep At The Wheel, Marcia Ball, Jorma Kaukonen, Leon Redbone, BeauSoleil, Daniel Lanois, Redd Volkaert, & Peter Rowan. Cindy’s unerring ability to perfectly complement a song or step out with a tasteful, imaginative, and exciting solo – and to do it in so many musical genres – has made her one of the most in-demand musicians on the American roots music scene.

Sisters Of Slide & Austin Musician, Nakia, Joins The Tina Terry Agency For Worldwide Exclusive Representation

The Tina Terry Agency welcomes Rory Block & Cindy Cashdollars’ newest project, Sisters of Slide to our roster along with Austin musician, Nakia. Quality in music matters to us here at the Agency, and for that, we are excited to be representing these two astounding talents.

Rory Block & Cindy Cashdollar

Rory Block and Cindy Cashdollar have teamed up together and are touring as “Sisters of Slide”. Rory’s international status as one of the top female interpreters and authorities on traditional country blues and Cindy’s talents of being one of the most in-demand musicians in the American roots music scene for her musical role with so many greats (Ryan Adams, Bob Dylan, Van Morrison, Rod Stewart, Albert Lee and the list goes and on) is what makes this package a must for booking! Together, they will change the way one appreciates the traditional art form of acoustic folk blues and roots music forever. “Sisters of Slide’ is American music history focused around American music purveyors.

http://roryblock.comhttp://cindycashdollar.com

Nakia

Nakia is no stranger to music in general, but he is a new comer to the blues music scene. Having graced season one of NBC’s “The Voice,” Nakia won the hearts of America with his grizzly voice and his ability to entertain. When Nakia moved from Chicago to Austin, his passion for music grew and caused a change in direction for his life adventure. He friended many Austin musicians who shared the art of quality and the understanding that unique talent was the prevailing key to success. Most notably, Sharon Jones who noticed Nakia’s talent, and invited him many times to join her stage before her passing. Alejandro Escovedo has also taken notice and has extended many invites to join his stage. It was meeting Clifford Antone that he came to know the true history and art of “the blues,” and was encouraged to pursue and record a ‘blues album.” It took time to digest all that Clifford had said and following his advice, he formed Nakia & the Blues Grifters less than 3 years ago and this path has lead him towards his truest life passion. 2018 marks the year that Nakia sets his focus full time on the art of American music and August marks the month of his first Blues release.

http://nakia.net

Please welcome Rory, Cindy and Nakia to the TTA family. Call us today to discuss booking logistics.

Nakia

Official Website: nakia.net

Before he was on “The Voice,” Nakia was a Blues Grifter. Named for the age-old concept of stealing from the greats, the Blues Grifters formed in 2010. The band quickly became a hit on the club circuit in Austin performing at the legendary “Home of the Blues,” Antone’s Nightclub, and the South Austin hot spot, C-Boy’s Heart & Soul and began recording its first album. A video of Nakia’s full-throated, soulful performances found its way to television producer Mark Burnett who insisted on recruiting Nakia for a new show. Reluctant but hopeful, Nakia put the band, and the album on pause to go to Hollywood.

On the first season of “The Voice,” Nakia immediately became a fan favorite before finishing as a semifinalist. More than 14 million viewers tuned in each week to witness Nakia wowing the show’s four celebrity coaches with his electric stage presence and using his gritty voice to make Top 40 songs his own.

Using the momentum from the whirlwind of reality TV, Nakia focused on writing songs for a new EP and subsequent tour, still leaving the band on hold. Nakia knew it was time to call up the Blues Grifters again when he was invited to appear on the ALL ATX compilation album in 2016. Together, they transformed The Allman Brothers Band’s “Whipping Post” from a prog-rocking guitar dirge into a lowdown gritty sax-infused soul jam that culminates in a double-time frenzy. Renewed from that studio experience, Nakia was ready to finish the album he started almost a decade ago with his long-time collaborator and fellow Grifter, Mac McNabb.

“I started the band as a way for me to cut loose and get lost in the blues, so I wanted this album to be a homage to the great blues artists who inspired me,” Nakia recalls, “but ‘The Voice’ happened and I couldn’t reach the finish line on the record. Once Mac and I got back together and listened to the tapes, we committed to finish the album. We cut these songs using old ribbon mics, analog gear and tape machines. Many of the songs recorded live, all in the room together. Real live blues — the way it was meant to be.”

After all this time, “Blues Grifter,” is finished featuring songs by blues and soul greats Otis Rush, William Bell, Johnnie Taylor, Howlin’ Wolf, Luther “Snakeboy” Johnson and more. Nakia will celebrate the release with a free in-store performance at Waterloo Records Friday, August followed by album release parties in Austin, Dallas, Houston, San Antonio with more cities to be announced. Nakia will donate a portion of all “Blues Grifter” physical album proceeds to The Clifford Antone Foundation, a 501(c)(3) non-profit in Austin dedicated to preserving blues music culture and community by caring for our elders and investing in our youth. Nakia is a two-time Black Fret artist grant award recipient.

RICK ESTRIN RECEIVES THREE 2018 LIVING BLUES AWARD NOMINATIONS

Living Blues magazine has announced the nominees for the 2018 Living Blues Readers’ Awards. We proudly announce that Rick Estrin received three nominations: Best Live Performer, Blues Artist of the Year (male) and Most Outstanding Musican (Harmonica)!

The public — subscribers and non-subscribers alike — can vote at www.livingblues.com or by mailing in the ballot in the current issue of the magazine (#255), by July 15, 2018.

Winners will be announced in August.

Congratulations, Rick Estrin.

The Welch Ledbetter Connection

A powerful throwback to the west side sounds of 1960’s Chicago, The Welch-Ledbetter Connection has become an absolute force in the world of Blues and Soul music. This force is fronted by the dynamic vocals of Chicago powerhouse Mike Ledbetter, and “Monstrous” sounds of Boston blues guitar veteran Mike Welch. Riding the wave of their debut album, ‘Right Place, Right Time’, the duo burst onto the scene in 2017 with thrilling responses from audiences all over the world. They have become well known for their raw musical intensity, a trademark collaborative harmony all their own, and a vigorous approach to their retro roots. Now donning an established group of dynamite musicians to form “The Connection”, this is only the beginning for this team.

Eden Brent

Official Website: edenbrent.com

Nicknamed “Little Boogaloo” by her Mississippi mentor Boogaloo Ames, Eden Brent is much more than her signature boogie-woogie piano and juke-joint blues holler. She is a celebrated songwriter and dynamic performer, with numerous nominations and awards including eleven Blues Music Award nominations since 2009 and three BMA trophies. Her most recent Yellow Dog Records album, Jigsaw Heart was nominated for BMA Acoustic Album of the Year, continuing a streak of nominations for her last three albums.

Born in the heart of the Mississippi Delta in Greenville, to a family of riverboat captains and guitar pickers, Eden’s story could’ve been written by Tennessee Williams or any number of Mississippi’s colorful authors. The Greenville bridge is named for her grandfather Jesse, the Waterways Journal “Riverman of the Century”. Her father, Captain Howard, famous for his Hank Williams renditions and grand story-telling, is a bona-fide living “River Legend”, and her mother Carole was born a sharecropper but became a big band singer and fashion model, working at Chicago’s Chez Paris in the 1950’s.

A life-long piano enthusiast, Eden was surrounded by music and learned her first notes at age three. “Grandma could read and play beautifully,” Eden explains, “She taught me Middle C and my first simple tunes. I had an ear for music and was pecking out my brother’s recital piece before I was old enough to go to school.” Piano lessons were part of her education from primary school through graduation from the University of North Texas and beyond. “I always loved to play, but I hated to read and I really hated practice until I started hanging around Boogaloo. He put the music right in my hands.” She continues, “Daddy jokes he could’ve saved a lot of money on my college tuition had he introduced me to Boogaloo a few years earlier.”  The duo traveled and worked together for 16 years until Boogaloo’s death in 2002.

Eden is featured in three documentary films: Boogaloo & Eden: Sustaining the Sound; Forty Days in the Delta; 180 Degrees: Changing Lives in the Mississippi Delta, has appeared in print publications like USA Today and Garden & Gun, has been highlighted on national radio broadcasts including NPR Weekend Edition, House of Blues Radio Hour, and American Routes, and her music continues to delight both critics and live audiences alike.

Since launching her career, Eden travels the United States and abroad performing in festivals like Notodden, the Chicago Blues Festival, Cognac’s Blues Passions, and the New Orleans Jazz & Heritage Festival. She’s a frequent piano bar host aboard the Legendary Rhythm & Blues Cruise and  has been a special guest aboard the American Queen Steamboat, a performance that celebrated her Mississippi River heritage.

She has released four solo albums: Something Cool 2003; Mississippi Number One 2008; Ain’t Got No Troubles 2010; and Jigsaw Heart 2014, and is currently on the Yellow Dog Records label. In addition to her four solo albums, Eden recorded The Brent Sisters Party Dress with sisters Jessica and Bronwynne, also songwriters. Released in 2012, the album is a collection of songs written by their late mother, Carole Brent.

Eden lives in her hometown with her husband Bob Dowell, a musician and arranger from the U.K., and their three very naughty dogs.

Nathan and The Zydeco Cha Chas

Official Website: www.zydecochachas.com

Nathan formed The Cha-Chas back in 1985, and since then has brought his unique take on this
regional South Louisiana music to all corners of the globe. From Lincoln Center in New York to
The Grand Ole Opry in Nashville, Nathan’s music has crossed all barriers to speak to the very
heart of his audience.

Inducted into the Louisiana Music Hall of Fame in 2005 and honored in 2015 with the Zydeco
Music Association’s Lifetime Achievement Award. The Cha-Chas have been voted the top
Festival Band in the country according to the Louisiana Department of Culture, Recreation and
Tourism and USA Today and have won the coveted Big Easy award for Best Zydeco Band for
several years running.

Nathan and his band have been featured in the New York Times, Essence and People magazines,
and on the cover of USA Today. They’ve appeared in films like In The Electric Mist as well as the
soundtrack sharing credits with Michael Doucet and Buddy Guy and The Kingdom of Zydeco,
and worked with artists as diverse as Cyndi Lauper on the album Creole Bred.

Keepers of the Zydeco Flame, they are committed to keeping their Creole heritage alive.

Rick Estrin & The Nightcats

Official Website: rickestrin.com

Every night that award-winning harmonica player, singer and songwriter Rick Estrin and his cohorts The Nightcats perform live— wherever in the world that may be—a crowd of dancing, shouting, laughing and cheering people will be enjoying some of the best live music they’ve ever heard. On one of these nights —October 5, 2013, at San Francisco’s Biscuits And Blues—the proceedings were captured live. The result is Rick Estrin & The Nightcats’ irresistible new release, You Asked For It…Live!. The band was, as they always are, on fire. The hometown, sell-out crowd was ready to explode, and the front man was celebrating his birthday. According to Estrin, “Cutting loose and stretching out in an intimate, nightclub-type setting is the natural environment for the Nightcats to kick maximum ass. The fact that it was my birthday, in the town where I was born and raised, only added more fuel to the fire.”

You Asked For It…Live! has the immediacy, feel and fun of a true Rick Estrin & The Nightcats performance. “No matter how much fun we have and how relaxed we can be in the studio, there’s still nothing like being in front of, and interacting with, our live audience,” Estrin says. The album features some of Rick Estrin’s best-loved and most-requested songs, dating back to his days as lead singer, songwriter and harmonica player of Little Charlie & The Nightcats (featuring Little Charlie Baty on guitar). The album is an up-to-the-minute and totally accessible slice of original, wry and witty blues with a simmering, funky rock edge fueled by Andersen’s blazing genre-hopping guitar and Farrell’s and Hansen’s dazzling keyboard and rhythm work. One listen makes it clear that this is a group comprised of four world-class musicians, who together form one of the tightest and most original bands in any genre.

 

“Infectious, captivating, powerful blues….Intense Chicago-style harp playing, witty songs and tough-as-nails grooves” –Living Blues

 

Rick Estrin, who holds the 2013 Blues Music Award for Best Instrumentalist– Harmonica, is, according to the San Francisco Chronicle, “an amazing harmonica player, a soulful lead vocalist and a brilliant songwriter.” He ranks among the very best harp players, singers and songwriters in the blues world. His work on the reeds is deep in the tradition of harmonica masters Sonny Boy Williamson II and Little Walter Jacobs, while at the same time pushing that tradition forward with his unforgettable original songs. And his hipster, street-smart vocals are the perfect vehicle for driving those songs home. Blues Revue says, “Estrin has created some of the finest blues songs of any artist on the planet. His carefully wrought lyrics penetrate human weakness with the precision of a boxer, though more often than not, he chooses to leave you laughing after the blow’s been struck.”

Rick Estrin & The Nightcats— jaw-dropping guitarist Chris “Kid” Andersen, singing drummer (who plays standing up) J. Hansen and dynamic multiinstrumentalist Lorenzo Farrell (electric and acoustic bass, organ and Moog synthesizer)—serve up fresh and modern original blues injected with a solid dose of gritty roadhouse rock ‘n’ roll and Estrin’s trademark philosophical wiseguy humor. Since the 2009 release of their celebrated Alligator Records debut Twisted and the 2012 follow up One Wrong Turn, the band has toured non-stop, sharpening their musical telepathy to a razor’s edge.

Estrin won the 1994 Blues Music Award for Song Of The Year for his composition “My Next Ex-Wife” and has written songs for a growing legion of other musicians. Three of his songs found their way onto Grammy-nominated albums: “Don’t Put Your Hands On Me” (on Koko Taylor’s Force Of Nature), “I’m Just Lucky That Way” (on Robert Cray’s Shame + A Sin), and “Homely Girl” (on John Hammond’s Trouble No More). Estrin cites Sonny Boy Williamson II, Percy Mayfield and Detroit bluesman Baby Boy Warren as his major songwriting influences. Besides Estrin’s streetwise songwriting and musical skills, he is among the most entertaining and colorful showmen around. His quick wit (as heard to great effect during the introductions to “My Next Ex-Wife” and “That’s Big”) and his signature look—coifed hair, pencil-thin mustache and sharply pressed, custom made suits—add even more color to his performances. “People don’t go out to see people who look like themselves,” says Estrin. “They want to see something special. I was schooled in this business to be a showman, and that’s what you get when you come to see me perform.”

 

“These are serious musicians out to have a hotter than hot good time. It’s tough to stay in your seat when Estrin and his musical cohorts get cooking.” –Chicago Sun-Times

 

Estrin was born in San Francisco, California in 1949, and grew up following his own path. He discovered an entirely new world when, as a 10-year-old boy, he made his way to the tough Market Street area and befriended many of the neighborhood characters. He had another revelation when his older sister gave him a copy of Ray Charles’ The Genius Sings The Blues when he was 12. Albums from Jimmy Reed, Champion Jack Dupree, Mose Allison, Nina Simone and others soon followed. By the time he was a teenager, Estrin had completely identified with the urban, African-American culture surrounding him. He got his first harmonica at age 15, and by age 18 was proficient enough to begin sitting in at black clubs around the city. He first jammed with blues master Lowell Fulson and almost immediately was hired to open five shows for R&B giant Z.Z. Hill. He worked five nights a week for almost a year with guitar legend Travis Phillips in a band fronted by famed pimp/bluesman Fillmore Slim (who was the centerpiece of the acclaimed Hughes Brothers documentary American Pimp). Slim introduced Estrin to Rodger Collins (“She’s Looking Good,” “Foxy Girls In Oakland”), the man who would become Rick’s first real musical mentor, and who schooled Rick on the finer points of songwriting and show business. Estrin moved to Chicago when he was 19 and worked with South Side bluesmen Johnny Young, Eddie Taylor, Sam Lay and Johnny Littlejohn before meeting and jamming with Muddy Waters, who told Rick, “You outta sight, boy! You got that sound, boy! You play like a man, boy!” In fact, Muddy wanted Estrin to go on the road with him, but due to nothing more than a missed phone call, it never happened. Rick eventually moved back to the Bay Area, met Charlie Baty and formed Little Charlie & The Nightcats.

For more than 30 years and nine albums, Rick fronted the band, featuring Baty’s one-of-a-kind guitar acrobatics. The band won international acclaim and toured the world repeatedly. They were nominated four times for the prestigious Blues Music Award for Band Of The Year. With Charlie’s retirement from touring in 2008, Rick rededicated himself to his craft. Hansen and Farrell wanted to keep the band going. Estrin knew the only way to replace Baty’s crazed and unique guitar style was to find someone with an equally insane and individual approach, and he knew that would be a tall order to fill.

 

“Fabulous, remarkable original material” –Billboard

 

As luck would have it, Kid Andersen, who had been working with another harp legend, Charlie Musselwhite, became available. “Kid’s a fearless nut on the guitar,” says Estrin. “He’s really the only guy who could fit in with us.” With an unpredictable, no-holds-barred style that perfectly meshed with Estrin’s wildly imaginative original songs, the new band charged out of the gate with Twisted in 2009 and One Wrong Turn in 2012. Blues Revue raved, “Rick Estrin & The Nightcats are one of modern blues’ most versatile and original bands.”

As a testament to their talent, audiences at their performances are often peppered with musicians wanting to glean a lick from these dynamic musical masters. Fans ask to go home with a CD that reflects what they just witnessed. Now, with You Asked For It…Live!, Rick Estrin & The Nightcats can satisfy their fans’ demands. Estrin recalls, “After shows, people are always asking, ’Are any of these CDs live? Which of your CDs is most like what you did tonight?’ Now, I can tell them, ‘This one right here. Thank you. We’ll be happy to sign it.’”

THE NIGHTCATS:

Kid Andersen (guitar, background vocals)
Chris “Kid” Andersen was born in Telemark, Norway in 1980. A blues fan since childhood, Andersen fell in love with the music of Otis Rush, Buddy Guy, Junior Watson, and the Kings (B.B., Albert and Freddie). By the time he was 18, he was backing all the American blues stars who came through Norway, including Homesick James, Nappy Brown and Willie “Big Eyes” Smith. He moved to California at age 21, eventually earning himself a green card as an “Alien of Extraordinary Ability.” Andersen released four solo albums before joining blues harmonica legend Charlie Musselwhite’s band in 2004, a gig that lasted until he joined Rick Estrin & The Nightcats. Andersen runs his own recording studio, where he has produced and mixed recordings by artists including Elvin Bishop, John Nemeth and Finis Tasby, as well as all three Rick Estrin & The Nightcats CDs.

Lorenzo Farrell (upright and electric bass, piano, organ, synthesizer)
Lorenzo Farrell was born in Lexington, Kentucky, and grew up in Bloomington, Indiana, where he started playing piano at age five. During his high school years in California, he discovered jazz and made the switch to upright acoustic bass. After high school, Farrell took several years off from his music career to earn a degree in Philosophy from the University of California at Berkeley, and study religion in Delhi, India. Since returning to the San Francisco Bay Area, he has been a highly sought-after multi-instrumentalist, having returned to piano and mastered organ in recent years. A Nightcat since 2003, Lorenzo has also had the opportunity to perform and/or record with many other artists, including Collective Amnesia, the Contemporary Jazz Orchestra, Noora Noor, Terry Hanck, and Steve Lucky and the Rhumba Bums.

JOE LOUIS WALKER GRAMMY NOMINATION

Blues Guitar Legend Joe Louis Walker Receives Grammy Nomination For Best Contemporary Blues Album “Everybody Wants A Piece”

The Tina Terry Agency would like to proudly congratulate Joe Louis Walker on his Grammy Nomination for Best Contemporary Blues Album for his Mascot Label recording “Everybody Wants A Piece”.

album-cover-everybody-wants-some

Walker a Blues Hall of Fame inductee and four-time Blues Music Award winner, has toured extensively throughout his career, performing at the world’s most renowned music festivals, and earned a legion of dedicated fans.   His latest high acclaimed album Everybody Wants A Piece – Mascot/Provogue cements his legacy as a prolific torchbearer for the blues.  Looking back on his rich history, Walker shares, “I’d like to be known for the credibility of a lifetime of being true to my music and the blues. Sometimes I feel I’ve learned more from my failures, than from my success. But that’s made me stronger and more adventurous. And helped me create my own style. I’d like to think that when someone puts on one of my records they would know from the first notes, ‘That’s Joe Louis Walker.'”

Listen to Everybody Wants A PEICE

https://www.youtube.com/watch?v=FOOgJ6Ngcf8           

List: 2017 Grammy Nominees http://www.grammy.com/nominees

For updated tour dates and more information about Joe Louis Walker, please visit his official website: http://www.joelouiswalker.com.

Jason Ricci

 

 

Press Release- December 5th 2016 Richmond VA

Eller Soul Records is proud and excited to announce the recent signing of Jajasonricciposter2015son Ricci to our humble label. We welcome Jason and the band into Our family of great artists

‘Blues, Rock and Beyond’

Jason Ricci is one of the most popular harmonica player on the planet today.  His music is listed in almost every top ten play-lists on college, blues and internet radio.  Jason ‘players player’ his biggest fans are other musicians, from all genres.  Jason Ricci is in the spot light and on the lips of critics, artists and fans everywhere.  Through two plus decades of endless touring, TV appearances, recordings and social media Jason Ricci’s style of playing is so revolutionary and influential that there exists an entire new generation of players imitating his music, clothes, gear and even stage presence. Jason has been an almost constant force for decades in the studio, festivals, club dates and press.  Through performing, song writing, teaching, harmonica prowness and activism in the fields of mental health and addiction, it is not an overstatement that this young man is currently changing the world through his music and education.  His over blowing harmonica technics are second to none and his song writing, while based in deep blues, is contemporary and relevant. With his personal demons well in check and a killer new band, the bad kind, Jason is back with a  vengeance and takin no prisoners, from low down in the alley to out of this world! Look for a great new record in the spring of ’17.

Recent accomplishments:

*Featured performer at the Rock & Roll Hall of Fame for the Paul Butterfield Blues Band induction in 2015

*Jason is a featured performer on Johnny Winter’s Grammy award winning CD ‘Step Back” (2014)

*Has received multiple Blues Music Award Nominations 2009-2016, and won a Blues Music Award in 2010.

*Jason has worked and / or recorded with Junior Kimbrough, RL Burnside, Nick Curran, Walter Trout, Ana Popovic, Cedric Burnside, Joe Louis Walker, Sue Foley, and many others.

For more on Jason Ricci, please contact Ronnie Owens: rko@ellersoul.com  (804) 306-1302

For Booking, contact TINA TERRY AGENCY. tina@tinaterryagency.com (336) 255-7109