Tony Holiday

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Website: https://tonyholidaymusic.com/

Tony Holiday is a multi-talented, award winning musician and entertainer hailing from Memphis, Tennessee.

Originally from Salt Lake City, Utah, Tony moved to Memphis in 2017 and has attached himself to the North Mississippi style of music. Tony infuses his traditional roots into a melting pot of different styles which covers multiple genres of music.

Tony’s drive and his incredible talent on the harmonica has earned the soulful singer opening spots with people from many genres including Willie Nelson, BB King, Steve Miller Band, Jason Isbell, Blind Boys of Alabama, and Charlie Musselwhite to mention just a few. Tony has also performed with legends such as Bobby Rush, John Nemeth, Guitar Shorty, Samantha Fish, Victor Wainwright and Southern Avenue.

Touring nationally and internationally, Tony is a family man and an entertainer who loves connecting with people and above all, bringing people together. The Memphis Flyer described Tony’s show as “Electric Hill Country, three part harmonies, and a heap of Memphis Lightning that is flat out ENTERTAINING!!”

Tony has released 3 critically acclaimed records on Vizztone and Nola Blue Records, (Nominated for 2 Blues Blast Awards) and 2 volumes of his Porch Sessions, as well as an EP called “Soul Service” produced by Ori Naftaly of Southern Avenue at the legendary Zebra Ranch recording studio in Coldwater, Mississippi. Tony is currently signed with the renowned Forty Below Records.

Tony has played the Legendary Blues Cruise multiple times and has played festivals and shows all over the world. So whether you catch the “Prince of the Porch,” as dubbed by Blues Blast Magazine, sitting with blues icons on porches across the world, on a cruise to paradise, or watching him play at a local club or festival, Tony is sure to entertain!

Trudy Lynn

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2023 Blues Music Award nominee for Soul Blues Album and Soul Blues Female Artist

Trudy Lynn was born Lee Audrey Nelms in Houston’s Fifth Ward, where she began singing as a teenager. After high school, Lynn went to visit her aunt in Lufkin, where a club called the Cinderella needed a singer. She decided Lee Audrey Nelms wasn’t going to cut it as a stage name. The club had a bunch of cartoon character names painted on the wall and she noticed “Trudy,” which she quickly paired with Lynn. “Lynn was something in those days,” she says. “Gloria Lynne, Barbara Lynn. I thought, ‘I’m going to be one of those Lynns, too, baby.'” Prior to striking out on her own, Trudy was the vocalist for such Texas greats as I.J. Gosey and Clarence Green, where Trudy spent five years as the vocalist for his band. Green was a stern mentor, but Lynn credits him with helping her become a professional. “He molded me well,” she says. “He’s still in me because of what he taught me. It takes that.” After leaving Green’s band, Lynn began performing on her own. Since joining forces with harmonica wizard Steve Krase and the Connor Ray Music label in 2014, Lynn has played curator for herself. She has written her own songs that blend nicely with the vintage songs, mostly about good times and bad men. “Each one of these songs means something to me,” she says. “I truly understand something about each one of them.” I’ll Sing the Blues for You is Trudy Lynn’s 12th solo album and the third release on the Connor Ray Music label following up on 2014’s Royal Oaks Blues Café, which hit #1 on the Billboard Blues Chart and 2015’s Everything Comes with A Price which spent 4 months on the Living Blues Radio Chart. Trudy is also a five-time Blues Music Award nominee and was inducted into the Houston Music Hall of Fame in 2015. I’ll Sing The Blues For You peaked at #6 on the Billboard Blues charts. Her 2018 release Blues Keep Knockin’ was recently named one of the top 50 Blues recordings of 2018 by Living Blues magazine. In 2023, Trudy was nominated for Soul Blues Album and Soul Blues Female Artist Blues Music Awards.

Waylon Thibodeaux

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Website: www.waylonthibodeaux.com

“Waylon Thibodeaux is a master at his instrument! He is a true and authentic voice of South Louisiana. He genuinely embodies what the old folks in the old country used to call a real ‘Music-man’” ~
Anders Osborne

“It’s a mixture –it’s Cajun, but not too traditional, it’s Zydeco with a pinch of New Orleans’ sound, a small pinch of South Louisiana “Swamp Pop”, a taste of Country and a little Rock ‘n’ Roll that’s sure to get you on your feet and dancing.” – Waylon Thibodeaux

Out of the Bayou and off Bourbon Street, Louisianan musician Waylon Thibodeaux struts his rocking blues roots side with Here We Go Again, released on the famed Rabadash Records label headed by John Autin.

Here We Go Again is Waylon’s third album with Rabadash, and for a change, the native Louisianan wanted to explore his Blues side with some of his original songs. “I call it blues with a Cajun accent,” laughs label owner John Autin. It was recorded and produced by Autin at his studios in New Orleans with musical guests Johnny Sansone, Josh Garrett, and Autin on keys. John called on Benny Turner, brother of Freddie King, and other more Blues-based musicians to help flesh out the sound. “Waylon’s happy tenor voice, and fiddle playing doesn’t belie a down, and dirty blues feel, but I think in a way we have created something quite new and interesting and unequivocally “WAYLON.” Songs that talk about bad luck on “Smoke Signals,” personal decisions “Fail, Fail, Fail” and time sliding away, “Funny How Time Slips Away,” are all on Here We Go Again and the gumbo rue magic is in Waylon’s fiddle and tenor vocals. He is always working on expanding his sounds through guitar pedals to create different textures in his music. Everyone loves a steamboat whistle sound from a fiddler, right? His thoughts on “The Riverboat Song”: “I’ve seen the steamboats pass by the Riverwalk in New Orleans, and that whistle has always intrigued me. It’s a very loud, obnoxious sound, but it gets the job done to warn people of the passing of the steamboat.”

Waylon’s influences run wild like the Mississippi River from Cajun to Swamp Pop, blues to rock to country, but not many know he started as a drummer playing the old country music. Then one fateful night, when he was a kid, he saw Bob Wills on TV with fiddler Johnny Gimble, and down the road, the young Thibodeaux went; “I wish I’d had the chance to tell him how much he influenced me.” Then he started to dig around a little more, and he discovered Stephan Grappelli from Paris and Rufus Thibodeaux (no relation) of Neil Young’s band, then up to Nashville for some Conway Twitty then back to Pete Fountain in NOLA.

Waylon Thibodeaux (pronounced Thib-ah-doh) was born on the Bayou, down in Houma, LA, which is located about 100 miles southwest of New Orleans. At the age of eight, he picked up the violin, and by 16, he was crowned Louisiana State Fiddling Champion. He spent decades (started at 13) on Bourbon Street playing in various bands along the famed avenue in the clubs. The only equivalent to this type of musical culture would be Lower Broadway in Nashville, TN, where top touring and session players are known to play the city’s honky-tonks.

Over the years, Waylon has played festivals and shows in Canada, France, and South America and is a member of Voice of The Wetlands All-Stars, a group of some of Louisiana’s best musicians, advocating awareness on the eroding wetlands that run along the state’s coastline. Members include Voice of The Wetlands founder Tab Benoit, Anders Osborne, Big Chief Monk Boudreaux, and Cyril Neville. During a show at the Democrat National Convention in Minnesota, Waylon sang with Randy Newman on his 1974 song, “Louisiana 1927,” that vividly recalls the great flood that hit the area, and that was a wow moment for him.

Having played New Orleans Jazz Fest, French Quarter Festival, and every other Louisiana Music Festival in between, they all seem to center around music and food, and Waylon has a gumbo recipe that is to die for. He has no formula on file, but he puts it all in an iron pot; “Start with a chocolate-colored rue, throw in the onions, peppers, and the sausage…” and he compares cooking gumbo with being in a band, “the lead singer is the sausage cause he’s such a ham!” he laughs.

When Waylon pulls out his white custom-made electric fiddle from Sal DiGerano out of Metairie LA, you know it’s time to hit the dance floor with Here We Go Again!

Sisters Of Slide & Austin Musician, Nakia, Joins The Tina Terry Agency For Worldwide Exclusive Representation

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The Tina Terry Agency welcomes Rory Block & Cindy Cashdollars’ newest project, Sisters of Slide to our roster along with Austin musician, Nakia. Quality in music matters to us here at the Agency, and for that, we are excited to be representing these two astounding talents.

Rory Block & Cindy Cashdollar

Rory Block and Cindy Cashdollar have teamed up together and are touring as “Sisters of Slide”. Rory’s international status as one of the top female interpreters and authorities on traditional country blues and Cindy’s talents of being one of the most in-demand musicians in the American roots music scene for her musical role with so many greats (Ryan Adams, Bob Dylan, Van Morrison, Rod Stewart, Albert Lee and the list goes and on) is what makes this package a must for booking! Together, they will change the way one appreciates the traditional art form of acoustic folk blues and roots music forever. “Sisters of Slide’ is American music history focused around American music purveyors.

http://roryblock.com – http://cindycashdollar.com

Nakia

Nakia is no stranger to music in general, but he is a new comer to the blues music scene. Having graced season one of NBC’s “The Voice,” Nakia won the hearts of America with his grizzly voice and his ability to entertain. When Nakia moved from Chicago to Austin, his passion for music grew and caused a change in direction for his life adventure. He friended many Austin musicians who shared the art of quality and the understanding that unique talent was the prevailing key to success. Most notably, Sharon Jones who noticed Nakia’s talent, and invited him many times to join her stage before her passing. Alejandro Escovedo has also taken notice and has extended many invites to join his stage. It was meeting Clifford Antone that he came to know the true history and art of “the blues,” and was encouraged to pursue and record a ‘blues album.” It took time to digest all that Clifford had said and following his advice, he formed Nakia & the Blues Grifters less than 3 years ago and this path has lead him towards his truest life passion. 2018 marks the year that Nakia sets his focus full time on the art of American music and August marks the month of his first Blues release.

http://nakia.net

Please welcome Rory, Cindy and Nakia to the TTA family. Call us today to discuss booking logistics.

JOE LOUIS WALKER GRAMMY NOMINATION

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Blues Guitar Legend Joe Louis Walker Receives Grammy Nomination For Best Contemporary Blues Album “Everybody Wants A Piece”

The Tina Terry Agency would like to proudly congratulate Joe Louis Walker on his Grammy Nomination for Best Contemporary Blues Album for his Mascot Label recording “Everybody Wants A Piece”.

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Walker a Blues Hall of Fame inductee and four-time Blues Music Award winner, has toured extensively throughout his career, performing at the world’s most renowned music festivals, and earned a legion of dedicated fans.   His latest high acclaimed album Everybody Wants A Piece – Mascot/Provogue cements his legacy as a prolific torchbearer for the blues.  Looking back on his rich history, Walker shares, “I’d like to be known for the credibility of a lifetime of being true to my music and the blues. Sometimes I feel I’ve learned more from my failures, than from my success. But that’s made me stronger and more adventurous. And helped me create my own style. I’d like to think that when someone puts on one of my records they would know from the first notes, ‘That’s Joe Louis Walker.'”

Listen to Everybody Wants A PEICE

https://www.youtube.com/watch?v=FOOgJ6Ngcf8           

List: 2017 Grammy Nominees http://www.grammy.com/nominees

For updated tour dates and more information about Joe Louis Walker, please visit his official website: http://www.joelouiswalker.com.

ICON: The Life and Legacy of B.B. King

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THE GRAMMY FOUNDATION® AND GRAMMY MUSEUM® PARTNER TO PRESENT ICON: THE LIFE AND LEGACY OF B.B. KING FEATURING JOE BONAMASSA, KEB’ MO’, KENNY WAYNE SHEPHERD, SLASH, SUSAN TEDESCHI, DEREK TRUCKS, JIMMIE VAUGHAN, AND JOE LOUIS WALKER WITH JIMMY VIVINO AND THE BASIC CABLE BAND

GRAMMY Foundation® Vice President Scott Goldman to Host Benefit Tribute Event

SANTA MONICA, Calif. (July 26, 2016) — The GRAMMY Foundation® and GRAMMY Museum® are partnering on Sept. 1 to celebrate the life and legacy of B.B. King, 15-time GRAMMY®-winning rhythm & blues singer. Titled Icon: The Life And Legacy Of B.B. King, the live tribute, sponsored in part by Gibson USA, will include performances by multi-GRAMMY winners Keb’ Mo’, Derek Trucks, and Jimmie Vaughan; GRAMMY winners Slash and Susan Tedeschi; GRAMMY nominees Joe Bonamassa and Kenny Wayne Shepherd; and blues guitarist Joe Louis Walker. The show’s music director will be Jimmy Vivino of the “Conan” show. He will be joined by the Basic Cable Band, who will serve as the house band for the evening. Scott Goldman, Vice President of the GRAMMY Foundation, will be the evening’s host.

In addition to live tribute performances and storytelling by artists influenced by King’s music, a pre-event VIP reception will be held at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, Calif.

“This evening marks a unique collaboration between the GRAMMY Foundation and GRAMMY Museum, and it serves to showcase these charities founded by The Recording Academy® that share a mission of preserving music’s legacy and presenting it to a wide range of audiences,” said Neil Portnow, President/CEO of The Recording Academy and the GRAMMY Foundation, and Board Chair of the GRAMMY Museum. “This event is designed to be an annual fundraiser in honor of a music icon that will invite the public to enjoy tribute performances by an array of talented artists that engage, entertain, and enlighten.”

“Exploring the enduring legacies of all forms of music, and the artists who created them, is a large part of our mission, and we couldn’t be more thrilled to partner with the GRAMMY Foundation on a spectacular evening that will demonstrate our shared commitment to preserving the legacy of B.B. King,” said Bob Santelli, Executive Director of the GRAMMY Museum. “We’re looking forward to having this amazing lineup of artists join us for a night that will introduce, or reintroduce, hundreds of music fans to the legacy of the King of the Blues.”

Proceeds raised from Icon: The Life And Legacy Of B.B. King will support the initiatives of the GRAMMY Foundation and GRAMMY Museum, two charitable organizations of The Recording Academy.

 

Referred to as the King of the Blues, King released more than 50 albums since he began recording in the 1940s, creating classics such as “3 O’Clock Blues,” “You Don’t Know Me,” and “The Thrill Is Gone,” among many others. King was inducted into the Blues Foundation Hall of Fame in 1980 and the Rock and Roll Hall of Fame in 1987. He received The Recording Academy’s Lifetime Achievement Award in 1987, has had four recordings inducted into the GRAMMY Hall Of Fame, and he received honorary doctorates from several universities and music colleges. King has inspired a variety of artists through the years, including Bonamassa, Elvis Costello, Robert Cray, J.J. Cale, John Mayer, Delbert McClinton, Jimmy Page, Diane Schuur, Slash, Tedeschi, and Vaughan, several of whom will perform at the concert.

The Wallis Annenberg Center for the Performing Arts is located at 9390 N. Santa Monica Blvd., Beverly Hills, Calif., 90210. The red carpet portion of the evening will take place from 5:30–6:30 p.m., the reception from 6:30–8 p.m., and the show will begin at 8 p.m. The attire is business casual, and ticket prices are $250 for admission to the reception and show, $100 for the show only, and $50 for mezzanine seating. Tickets can be purchased here.

The GRAMMY Foundation was established in 1988 to cultivate the understanding, appreciation, and advancement of the contribution of recorded music to American culture. The Foundation accomplishes this mission through programs and activities that engage the music industry and cultural community as well as the general public. The Foundation works in partnership year-round with its founder, The Recording Academy, to bring national attention to important issues such as the value and impact of music and arts education and the urgency of preserving our rich cultural heritage. In recognition of the significant role of teachers in shaping their students’ musical experiences, The Recording Academy and the GRAMMY Foundation partnered to present their first Music Educator AwardTM in 2014. Open to current U.S. music teachers in kindergarten through college, the fourth annual Music Educator Award will be given out during GRAMMY Week 2017 and nominations are being accepted for the 2018 cycle. With funding generously provided by The Recording Academy, the GRAMMY Foundation Grant Program awards grants each year to support efforts that advance the preservation of music and the recorded sound heritage of North America, and research projects related to the impact of music on the human condition. Letters of Inquiry are currently being accepted through Oct. 1, 2016, for the 2017 grant cycle. For more information about the Foundation, please visit www.grammyfoundation.org. For breaking news and exclusive content, please “like” GRAMMY in the Schools on Facebook, follow the GRAMMY Foundation on Twitter (@GRAMMYFdn) and join us on Instagram (@GRAMMYFdn).

Paying tribute to music’s rich cultural history, the GRAMMY Museum explores and celebrates the enduring legacies of all forms of music, the creative process, the art and technology of the recording process, and the history of the premier recognition of excellence in recorded music — the GRAMMY Award. The GRAMMY Museum features 30,000 square feet of interactive and multimedia exhibits located within L.A. Live, the downtown Los Angeles sports, entertainment, and residential district. Through thought-provoking and dynamic public and educational programs and exhibits, guests experience music from a never-before-seen insider perspective that only the GRAMMY Museum can deliver. For more information, please call 213.765.6800 or visit www.grammymuseum.org. For breaking news and exclusive content, follow @TheGRAMMYMuseum on Twitter and Instagram, and “like” The GRAMMY Museum on Facebook.

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Media Contacts:

Christina Cassidy/GRAMMY Foundation /310.581.8670/ christina.cassidy@grammy.com

Crystal Larsen/GRAMMY Museum /213.763.2133/ clarsen@grammymuseum.org

Joe Schneider/Rogers & Cowan/310.854.8140/jschneider@rogersandcowan.com

Holly Taylor/Rogers & Cowan/310.854.8115/hetaylor@rogersandcowan.com

 

Ian Siegal and Jimbo Mathus Celebrate LIVE Release ‘Wayward Sons’

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Wayward Sons is an evocative snapshot of a special night of dry banter, salty tales and classic songs performed with industrial-strength charisma by two artists at the top of their game. The atmospheric album places the listener squarely in the midst of the crowd as they cheer the Anglo-American duo through a diverse set of self-penned songs and classics from the book of Americana.

In the autumn of 2014, on their first tour together, Ian Siegal and Jimbo Mathus rolled into the sleepy Dutch town of Hoogland. They pitched camp at Cafe De Noot, which despite its parochial name has been hosting international touring artists for more than 20 years. What followed was a special night. The set might easily have been lost into folklore, kept alive only in the memories of the fans that packed the venue. Thankfully, somebody hit ‘record.’

Even in the age of auto-tune and Pro Tools, you can’t fake chemistry ~ and Wayward Sons proves the Siegal/Mathus partnership has it in spades. The pairs friendship goes back to 2013, when Mathus contributed banjo and mandolin to Siegal’s acclaimed album, The Picnic Sessions, recorded in Mississippi. Despite hailing from opposite sides of the Atlantic, the two men found they shared a cultural touchstone, not to mention a rare musical understanding that bleeds into Wayward Sons. Siegal’s acoustic and slide guitar dovetails with Mathus’ mandolin, harmonica and kazoo, while vocal harmonies lock horns.

This standout show from their first tour together also finds the duo’s banter in whip-cracking form, whether Siegal is claiming to be the mayor of Hoogland, or Mathus is wryly reminding us that he’s still very much alive. Siegal and Mathus are undeniably stellar live musicians, racing through a set list that airs a fistful of classics from their respective catalogs, as well as some rip-it-up reboots of old standards.

This album is available directly from Nugene or from leading online and street-level stores.

Hipshakers & Heartbreakers

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The Delta Generators are excited to release their fourth studio album “Hipshakers & Heartbreakers”, a collection of ten songs that range from Roots Rock to Blues, Soul to Americana. This time around the Delta Generators recorded at Woolly Mammoth studio in Waltham MA. David Minehan (guitar player for The Replacements and the Neighborhoods) recorded the album. This album was mixed by multi Grammy Award winner Vance Powell (Jack White, Buddy Guy, Chris Stapleton, Sturgill Simpson, North Mississippi Allstars, Beck, etc.) at Sputnik Sound in Nashville, TN and mastered by multi Grammy Award winner Richard Dodd (Tom Petty, Keb Mo’, Dixie Chicks). Fans helped us to fund the album through PledgeMusic.com.

This album is special to the band because nine months before this album was recorded, Rick O’Neal (cofounding member and bass player) had a major (idiopathic) stroke at age 41. His stroke was so serious that after his five-hour surgery to repair his artery and remove blood clots from his brain, he could not talk and his right arm and leg did not work. To continue performing, Rick had to relearn how to play bass in a different way. For now, Rick actually has to play almost exclusively with his left hand (fretting hand). He has inspired many people who come see the Delta Generators play live. His message to anyone who asks is “Don’t give up” and Rick has not given up his dream of being a recording and live/performing artist. He has been a huge inspiration to us all.

In the last couple of years, the Delta Generators have shared the stage with such acts as Robert Cray, Dirty Dozen Brass Band, Three Dog Night, Jimmie Vaughn, The Fabulous Thunderbirds, Johnny Winter, Walter Trout, Popa Chubby, Bonerama, Candye Kane, Michael Burks, John Lee Hooker Jr. and Sonny Landreth, among many others. Notable musicians have joined the Delta Generators on stage, including Brad Whitford of Aerosmith.

The Delta Generators have accomplished a lot since forming in 2008. They won the Boston Blues Society’s Blues challenge in 2008, which earned them a spot in the International Blues Challenge held in Memphis in 2009. The band finished as a Top 10 Finalist out of over a hundred bands. The Delta Generators also won an Independent Music Award for Best Blues Album category for their debut album, Devil in the Rhythm, in 2009 . In 2009 they won Best Blues Band in Worcester Magazine and were nominated for Best R&B Act in the Boston Phoenix in 2010. The DG’s 2nd album Hard River to Row was selected by the Blues Foundation as a Top 5 Finalist (out of entries worldwide) in the Best Self Produced CD competition at the International Blues Challenge in 2011. This album also placed nationally at # 8 on the JamBand Radio Chart, # 17 on the Living Blues Radio Chart and #25 in the Roots Music Report. The DG’s were nominated for Best Blues Act 2011 by The Boston Music Awards, and Best Blues Band 2013 by Worcester Magazine Music Awards. In 2016 the band is nominated for a New England Music Award

Murali Coryell

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Official Website: muralicoryell.com

TOUR DATES

As the son of guitar legend Larry Coryell, Murali grew up around the likes of Jimi Hendrix, Miles Davis, and Carlos Santana. Now with 8 CD’s to his credit, Murali Coryell was inducted into the New York State Blues Hall of Fame in 2013 and was a 2014 BMA Nominee. Murali is a triple threat contemporary blues artist who can sing, write and play guitar with the best in the business.

In 1994, Murali got his first touring experience backing up Folk Music icon Richie Havens. In 1995, Murali joined Duke Robillard’s touring band and was quickly signed as a solo artist resulting in the Stax/Volt influenced “Eyes Wide Open”.  In 1999 Murali recorded “2120” for Marshall Chess in which Rolling Stone named Murali “One promising new hound”. In addition to touring with his own band, Murali has toured as a featured artist with Larry Coryell, Bill Evans, and Joe Louis Walker.

“Murali’s 2009 CD release “Sugar Lips” reached # 5 in 2010 on the Living Blues Radio Chart and was recorded in Nashville with Tom Hambridge, Grammy winning producer of Buddy Guy. Cortney Harding of Billboard called it “one sweet triptych across the musical map”.  The 2013 release Murali Coryell-Live spent 3 months in a row in the top 25 on The Living Blues Radio Chart. The 2014 release “Restless Mind” recorded in Austin, TX has been described by many as Murali’s best work to date.

EDDY CLEARWATER TO BE INDUCTED INTO THE BLUES HALL OF FAME

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Eddy "The Chief" Clearwater at the State Street Blues Stroll, Media Theatre Main Stage, 104 E. State St., Media Saturday, June 12; 7 p.m.Tickets: $15 - $20 Info: 610-566-5039 or www.statestreetblues.org
On Tuesday, February 16, The Blues Foundation announced musical legend Eddy Clearwater will be inducted into the Blues Hall of Fame. The ceremony will take place on Wednesday, May 4 in Memphis, TN. The Sheraton Memphis Downtown Hotel will host the event as it is being held in conjunction with the 37th Blues Music Awards.

Eddy Clearwater is among the very finest practitioners of the West Side Chicago blues. He won the Blues Music Award for Contemporary Blues – Male Artist of the Year in 2001. His 2003 CD, Rock ‘N’ Roll City (Bullseye Blues) was nominated for a Grammy Award. DownBeat says, “Left-hander Eddy Clearwater is a forceful six-stringer…He lays down some gritty West Side shuffles and belly-grinding slow blues that highlight his raw chops, soulful vocals, and earthy, humorous lyrics.”

Congratulations, Eddy. We are very proud of you.
To learn more:  Blues Hall of Fame Inductees