The City of Chicago’s Department of Cultural Affairs and Special Events has announced the Petrillo Bandshell line-up for the 33rd Annual Chicago Blues Festival taking place June 10–12, 2016 in Grant Park. The free admission three-day festival opens on Friday, June 10 with a celebration of Alligator Records’ 45th anniversary, and concludes on Sunday, June 12 with a special tribute to legendary bluesman Otis Rush featuring notable friends and other musicians he has influenced throughout his career. Other festival headliners include Fred Wesley & The New J.B.’s, Irma Thomas and Ronnie Earl & The Broadcasters. The full schedule will be announced later this spring.

Friday, June 10 – Alligator Records 45^th Anniversary Celebration
The festival opens on June 10 with a salute to Chicago’s Alligator Records who, in 2016, celebrates 45 years of “Genuine Houserockin’ Music.” The Chicago Tribune says Alligator is “America’s most revered blues label.” Rolling Stone says, “Alligator Records has reached dizzying heights in celebrating the blues.”

6:00pm – Tommy Castro & the Painkillers. The San Francisco Chronicle says Castro plays ““funky Southern soul, big city blues and classic rock… silvery guitar licks that simultaneously sound familiar and fresh.” DownBeat calls the band’s new album, Method To My Madness, “a high water mark in their career.” Castro will be joined by special guest, Chicago bluesman Tornozo Cannon. He’ll unleash songs from his Alligator Records debut, The Chicago Way.

7:00pm – Longtime favorites Lil Ed & the Blues Imperials will bring their raw and rowdy blues back to the main stage. The Chicago Sun-Times says, “A party band in the best sense of the word…the hottest purveyors of bottleneck boogie to come out of Chicago since Hound Dog Taylor.” The band’s most recent CD is 2012’s Jump Start. Harmonica master Corky Siegel will join the band as a special guest for an unforgettable collaboration.

8:15pm – Shemekia Copeland, whose 2015 album Outskirts Of Love received a Grammy nomination, will headline the tribute. USA Today says, “Shemekia captures the timelessness of the blues while spinning it forward with remarkable maturity.” She will be joined by guest Curtis Salgado, the award-winning vocalist and harmonicist whose new Alligator CD, The Beautiful Lowdown, will be released on April 8, 2016.

Saturday, June 11 – Soul/R&B Night
6:30pm – Grammy-winner Irma Thomas’ career has spanned over five decades since her first hit in 1960, You Can Have My Husband But Don’t Mess With My Man.

8:15pm – Fred Wesley & The New J.B.’s. Wesley is best known as the music director, arranger, trombonist and a primary composer for the legendary James Brown from 1968 to 1975.

The evening’s opening performance begins at 5:30 p.m. and will be announced at a later date.

Sunday, June 12 – Tribute to Otis Rush
Legendary blues guitarist Otis Rush arrived in Chicago from Mississippi in the 1950s after seeing Muddy Waters perform while visiting his sister. Rush worked tirelessly to establish himself as an innovative blues guitarist, bandleader, singer and songwriter by playing with the legendary bluesmen of the day. Rush set new standards and influenced countless blues and rock musicians, including Carlos Santana, Eric Clapton, Stevie Ray Vaughan, Led Zeppelin and many others. A fearless electric guitarist, Rush was a leader in creating the modern, R&B influenced Chicago blues we know today as the West Side Sound.

5:00pm – Ronnie Earl & The Broadcasters open the night. As an award-winning blues guitarist, Ronnie Earl learned from Rush and considers him to be the greatest musical influence on his career and life.

6:30pm – Eddy “The Chief” Clearwater brings his West Side blues to the main stage.The New York Times says, “Clearwater is equally adept at Chuck Berry-style guitar as he is at deeper blues style. He’s a fine singer who puts on a wild, exciting show…the sort of exuberant entertainer who can turn a concert into a party.”

8:00pm – Friends, artists and surprise guests will come together to celebrate Otis Rush with a special tribute featuring the confirmed artists to date: Jimmy Johnson, Abb Locke, Brian Jones, Carl Weathersby, Bob Stoger, Sumito Ariyoshi, Big Ray, John Kattke, Mike Wheeler, Lurrie Bell, Shun Kikuta, Eddie Shaw, Sam Burton, among others. The entire lineup and additional guests will be announced at a later date.  

A complete line-up and schedule for all stages, as well as preview events, will be released this spring.

For more information, please visit chicagobluesfestival.us.

Northport N.Y. – M.C. Records is proud to announce the signing of modern blues harmonica sensation Sugar Blue. The new release Voyage will be all originals except for one Ray Charles cover, “Mary Ann.” The recording is full of what makes Sugar Blue and his band so special; passionate song-writing, tight arrangements and of course Sugar Blue’s out of this world harmonica playing. Voyage is due out in the spring and will mark Blue’s first studio album in over five years.

Look for Sugar and his band to be taking their own brand of contemporary blues from coast-to-coast and around the world.

The 25th anniversary of M.C. Records is off to a strong start. We will not only be releasing a new Sugar Blue effort, also a new Joanna Connor recording both in the spring. In addition, look for an announcement of our third release coming later in 2016 with one of the great blues/roots guitarists of the past 30 + years!

“One of the foremost harmonica blowers in all of Modern blues…” – Rolling Stone

“…an extravagantly lyrical harmonica player” – New York Times

The Karp-Foley Band is excited to announce the release fo a double live CD to benefit the Ovarian Cancer Research Fund (www.OCRF.org). The double CD set, Live for Hope, features live performances by acclaimed blues/Americana musicians, Peter Karp and Sue Foley.

The September, 2015 release date coincides with Ovarian Cancer Awareness Month. The first CD in the set, Peter Karp’s The Arson’s Match, was originally broadcast live on Sirius Satellite Radio during a 2004 performance at the historic Bottom Line in New Tork City to a sold out audience. Backed by a glowing ensemble of consummate talent, Karp, a masterful slide guitarist and exhilarating vocalist, teams up with gruitarist Mick Taylor of the legendary Rolling Stones. Together, Karp and his Roadshow Band put forth an inspired performance of some of Karp’s finest original songs.

The second CD, Change by Sue Foley, is an awared-winning, live acoustic blues CD recorded in 2004 at Toronto’s preeminent listening room and live music venue, Hugh’s Room. Change is a notable departure from Foley’s distinguishable high energy, soulful blues-rock sound and reveals her softer and more playful side. This CD earned Foley three Maple Blues Awards including Recording of the Year. All proceeds from the sale and download of the CD set will benefit the Ovarian Cancer Research Fund in loving memory of Peter Karp’s late wife, Mary Lou Karp, who died from the disease in 2009.

“Mary Lou Bonney Karp was a remarkable writer, a poet, a daughter, a mother and my wife of 25 years. In June of 2009 she was diagnosed with ovarian cancer. She died 9 months later on February 17, 2009. While she had vague and disconnected symptoms for years, no one saw it coming. She was misdiagnosed (which happens often) with a back problem. This CD is to honor her memory. Before Mary Lou became sick, we knew nothing about ovarian cancer. Now I know that it is a vicious, silent killer of woman and that the only way to stop it is to spread the word about early detection.” – Peter Karp

“We are really happy to be able to donate our two live CD’s to raise money and awareness for ovarian cancer research. Knowing the loss that Peter and his family suffered through brought the pain and destruction of this devastating desease to light. This is the beginning of our pursuit to give back through donating our music and organizaing concerts and fundraisers, with the ultimate goal of stamping out ovarian cancer for good.” – Sue Foley

Get your copy today; support a worthy cause:
OCRF.org Download Live4Hope

A Summer Celebration – The Peterson Brothers Release Their First CD on Blue Point Records

Talented, young musicians Glenn and Alex Peterson release their first recording, The Peterson Brothers on Blue Point Records. The eleven tracks display the brothers’ diverse influences, some first forays into their own compositions and some solid adaptations of traditional and contemporary works. The brothers recorded with veteran producer Michael Freeman to achieve a sound which is both original and respectful of the blues. The release date is August 4, 2015. (www.petersonbrothersband.com)

“Young bluesmen take up the torch for a musical tradition…the crop of younger black blues musicians who can take the tradition and transform it with their own identity is relatively slim…emerging up-and-comers include…The Peterson Brothers of Austin.”

– The Washington Post

For the past five years, since Freeman saw their debut performance at the Pinetop Perkins 97th Birthday Celebration at Antone’s in Austin, Texas, The Peterson Brothers have performed for enthusiastic fans at clubs and blues festivals across the country, including the prestigious Chicago Blues Festival and The King Biscuit Festival in Helena, Ark. They have also opened shows for B.B. King, Los Lonely Boys, Michael Burks, Pinetop Perkins & Willie “Big Eyes” Smith, Marcia Ball, and The Fabulous Thunderbirds. Buddy Guy invited them to share the stage with him during one of his shows at ACL Live at the Moody Theater in Austin and Willie Nelson had them open his show, the brothers being the only nonrelated act on the bill.

“Bastrop blues siblings got their mojo workin’… as long as youngsters like the Petersons keep the flame burning, the genre will never die.” – The Austin Chronicle

Glenn and Alex live near Austin, in Bastrop, Texas the sons of supportive parents Glenn Sr. and Deanna Peterson. There they live as any normal teenagers would, going to school where they consistently receive high grades, play in the school band and do volunteer work. Every other waking hour is spent playing their instruments and working towards their dream. “Music for us is like soccer or football for someone else,” Glenn explained. “We just love what we do and this is our life.”

Glenn, 18 years old, plays guitar and sings lead, delivering the blues with a heavy influence of funk in his rhythm guitar playing. Through a smooth, jazz-influenced style he combines a traditional blues approach to his leads reaching inspiration from blues greats BB King, Albert King and Freddie King, Buddy Guy, Albert Collins, Hubert Sumlin, T-Bone Walker and Lightnin’ Hopkins and borrowing from contemporary players like Robert Cray, Michael Burks, Ernie Isley, Eddie Hazel and jazz icons Wes Montgomery and Kenny Burrell.

Alex, 16 years old, plays 5-string bass, violin and sings. He holds down their sound with supportive bass lines then breaks out with distinctive melodic riffs, often with a funk and jazz style that transcends his young age. Like his brother, he has a wealth of knowledge about his instrument and the musicians who have influenced him. They include Victor Wooten, Marcus Miller, Jacob Pastorius, Larry Graham, Bootsy Collins, Ron Carter, Ray Brown, Quintin Berry, Louis Johnson, Adam Blackstone, Stanley Clarke, Rocco Prestia Bob Stroger, and James Jamerson.

Together the brothers discovered the likes of B.B. King, Howlin’ Wolf and Stevie Ray Vaughan at an early age around the house. The bond between the brothers is apparent. “It comes naturally to us,” says Glenn. “We just seem to know and feel what the other is thinking instinctively.”

Blue Point Records is Michael Freeman’s independent record label. Freeman’s credits are extensive and include Pinetop Perkins and Willie “Big Eyes” Smith’s Grammy and Blues Music Award winning album Joined At The Hip.

“They delve into both traditional and contemporary blues, “old school” and contemporary R&B;, Soul, – some Rock – and a hint of Jazz. Elements from each of those styles can be found in both their choices of material and performances today. It was very apparent that if they stayed the course and worked at their craft, they could become a prominent and exciting part of the new and young generation of up and coming artists with roots in the blues,” says Freeman. (www.bluepointrecords.com)